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Общее количество найденных документов : 10
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1.

Вид документа : Однотомное издание
Шифр издания : КД-5365, 5366
782/V 41
Автор(ы) : Verdi, Guiseppe
Заглавие : IL Corsaro : Melodrama in three acts
Выходные данные : Б.м., [2001]
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Музичний театр
Видовищне мистецтво
Компакт-диск
Аннотация: Il corsaro (The Corsair) is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's poem The Corsair. The first performance was given at the Teatro Grande in Trieste on 25 October 1848.
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2.

Вид документа : Однотомное издание
Шифр издания : КД-5371, 5372
782/V 41
Автор(ы) : Verdi, Giuseppe
Заглавие : Giovanna d'Arco
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Серия:
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Видовщні мистецтва
Лібрето
Музичний театр
Аннотация: Giovanna d'Arco (Joan of Arc) is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi set to an Italian libretto by Temistocle Solera, who had prepared the libretti for both Nabucco and I Lombardi. It is Verdi's seventh opera. The work partly reflects the story of Joan of Arc and appears to be loosely based on the play Die Jungfrau von Orleans by Friedrich von Schiller. After writing the music over the autumn and winter of 1844/45, Verdi's opera had its first performance at Teatro alla Scala in Milan on 15 February 1845.
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3.

Вид документа : Однотомное издание
Шифр издания : КД-5381, 5382
782/D 34
Автор(ы) : Delibes, Leo
Заглавие : Lakme
Выходные данные : Б.м., [2001]
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Лібрето
Видовищні мистецтва
Музичний театр
Аннотация: Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written in 1881-2, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in Paris, with stage decorations designed by Auguste-Alfred Rubé and Philippe Chaperon (Act I), Eugène Louis Carpezat and (Joseph-)Antoine Lavastre (Act II), and Jean-Baptiste Lavastre (Act III). Set in British India in the mid-19th century, Lakmé is based on Théodore Pavie's story "Les babouches du Brahamane" and novel Le Mariage de Loti by Pierre Loti. The opera includes the popular Flower Duet (Sous le dôme épais) for sopranos performed in Act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika.The name Lakmé is the French rendition of Sanskrit Lakshmi, the name of the Hindu Goddess of Wealth. The opera's most famous aria is the Bell Song (L'Air des clochettes) in Act 2. Like other French operas of the period, Lakmé captures the ambience of the Orient seen through Western eyes, which was periodically in vogue during the latter part of the 19th century and in line with other operatic works such as Bizet's The Pearl Fishers and Massenet's Le roi de Lahore.[3] The subject of the opera was suggested by Gondinet as a vehicle for the American soprano Marie van Zandt. The Indian fashion brand Lakmé, established in 1952 by the Tata Group and now owned by Hindustan Unilever, is named after this opera.
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4.

Вид документа : Однотомное издание
Шифр издания : КД-5373, 5374
782/0-33
Автор(ы) : Offenbach, Jacques
Заглавие : Les Contes D'Hoffmann
Выходные данные : Б.м., [2001]
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Видовищні мистецтва
Лібрето
Музичний театр
Аннотация: Les Contes d'Hoffmann, inspirés du conteur E. T. A. Hoffmann, est un opéra fantastique en un prologue, trois actes et un épilogue de Jacques Offenbach. Le livret est une adaptation que Jules Barbier a tirée de la pièce qu'il a écrite en 1851 avec Michel Carré1. La création, posthume, le 10 février 1881 à l'Opéra-Comique de Paris, est l'objet de nombreuses suppressions ou ajouts indépendants de la volonté du compositeur2. C'est aujourd'hui l'un des opéras français les plus représentés dans le monde.
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5.

Вид документа : Однотомное издание
Шифр издания : КД-5379, 5380
782/M 78
Автор(ы) : Mozart, Wolfgang Amadeus
Заглавие : Zaide
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Видовищні мистецтва
Музичний театр
Опера
Аннотация: Zaide (originally, Das Serail) is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 Mozart began work on a new opera (now known as Zaide although Mozart did not give it such a title). It contains spoken dialogue, which also classifies it as a Singspiel (literally, "singing play"). Only the arias and ensembles from the first two acts were composed. Missing are an overture and third act. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes. This story portrays Zaide's effort to save her beloved, Gomatz. Mozart was composing for a German libretto by Johann Andreas Schachtner, set in Turkey, which was the scene of his next, completed rescue Singspiel (Die Entführung aus dem Serail). He soon abandoned Zaide, to work on Idomeneo, and never returned to the project. The work was lost until after his death, when Constanze Mozart, his wife, found it in his scattered manuscripts in 1799. The fragments would not be published until 1838, and its first performance was held in Frankfurt on January 27, 1866, the 110th anniversary of Mozart's birth. Zaide has since been said to be the foundations of a masterpiece, and received critical acclaim. The tender soprano air, "Ruhe sanft, mein holdes Leben" is the only number that might be called moderately familiar. The title Zaide was supplied by the Mozart researcher Johann Anton André, who first published the score, including his own completion of it, in the 1830s. André's father Johann André had set the same text to music, before Mozart commenced his singspiel. Modern companion pieces to Zaide have been written by both Luciano Berio and Chaya Czernowin. In modern performances, Mozart's Symphony No. 32, K. 318, which was composed around the same time as Zaide and later used as an overture to Francesco Bianchi's La villanella rapita (1784), is often given as an overture to Zaide. Completions of the opera may use a pastiche of Mozart's concert arias or, more popularly, music from Thamos, King of Egypt, also from the same period of Mozart's career.
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6.

Вид документа : Однотомное издание
Шифр издания : КД-5357, 5358
781/P 97
Автор(ы) : Puccini, Giacomo
Заглавие : La Fanciulla Del West
Параллельн. заглавия :Девушка с Запада
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 781.1(086.76)
Предметные рубрики: Опера
Музичний театр
Аннотация: La fanciulla del West (The Girl of the West) is an opera in three acts by Giacomo Puccini to an Italian libretto by Guelfo Civinini (it) and Carlo Zangarini (it), based on the play The Girl of the Golden West by the American author David Belasco. Fanciulla followed Madama Butterfly, which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that are characteristic of other Puccini works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. Fanciulla displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play,and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910.Nevertheless, while Puccini deemed it one of his greatest works, La fanciulla del West has become a less popular opera within the composer's repertoire, drawing a mixed public reception overall.[1][4] Despite the plot being a source of significant criticism, the majority of academics and musicians agree in calling it a magnum opus, particularly lauding its craftmanship.The conductor of the work's premiere, Arturo Toscanini, called the opera a "great symphonic poem".
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7.

Вид документа : Однотомное издание
Шифр издания : КД-5377, 5378
782/R 80
Автор(ы) : Rosasini, Gioacchino
Заглавие : L'italiana in Algeri
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact disc digital audio
Цена : 20 грн.
УДК : 782.6(086.76)
Предметные рубрики: Опера
Музичний театр
Аннотация: L'Italiana in Algeri (Italian pronunciation: [litaˈljaːna in alˈdʒɛːri]; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.Rossini wrote L'Italiana in Algeri when he was 21. Rossini stated that he composed the opera in 18 days, though other sources claim that it took him 27 days. Rossini entrusted the composition of the recitatives as well as the aria "Le femmine d'Italia" to an unknown collaborator.[1] The opera is notable for Rossini's mixing of opera seria style with opera buffa. The overture is widely recorded and performed today, known for its distinct opening of slow, quiet pizzicato basses, leading to a sudden loud burst of sound from the full orchestra. This "surprise" reflects Rossini's early admiration for Joseph Haydn, whose Symphony No. 94 in G major, "The Surprise Symphony", is so named for the same shocking and semi-comic effect.
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8.

Вид документа : Однотомное издание
Шифр издания : КД-5361, 5362
782.1/B 56
Автор(ы) : Bizet, Georges
Заглавие : Carmen
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Видовищні мистецтва
Музичний театр
Аннотация: Carmen (French pronunciation: ​[kaʁmɛn]; Spanish: [ˈkarmen]) is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous matador Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial. After the premiere, most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883. Thereafter, it rapidly acquired popularity at home and abroad. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera. The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer's death, the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet's intentions. The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations.
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9.

Вид документа : Однотомное издание
Шифр издания : КД-5363, 5364
782/B 56
Автор(ы) : Bizet, Georges
Заглавие : La Jolie Fille De Perth
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Bizet Collection
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Видовищні мистецтва
Музичний театр
Аннотация: La jolie fille de Perth (The Fair Maid of Perth) is an opera in four acts by Georges Bizet (1838–1875), from a libretto by Jules-Henri Vernoy de Saint-Georges and Jules Adenis, after the novel by Sir Walter Scott. Many writers have reserved severe criticism for the librettists for their stock devices and improbable events, while praising Bizet's advance on his earlier operas in construction of set pieces and his striking melodic and instrumental ideas. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris, on 26 December 1867.Although commissioned by Carvalho in 1866 and completed by Bizet by the end of that year (with the soprano lead intended for Christine Nilsson), the dress rehearsal took place in September 1867 and the first performance three months later. It was next revived in Paris on 3 November 1890 at the Éden-Théâtre for eleven performances. La jolie fille de Perth was performed in Brussels in 1868 and Geneva in 1885; in German it was given in Weimar and Vienna in 1883, and in English in Manchester and London in 1917. It was staged at the Wexford Festival in 1968, the Théâtre Impérial de Compiègne in 1998 and the Buxton Festival in 2006, and recorded by the BBC in Manchester for the Bizet centenary in 1975.
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10.

Вид документа : Однотомное издание
Шифр издания : 792/Г 83
Автор(ы) : Grygoriv, Roman, Razumeiko, Illia
Заглавие : Opera Lingva. Music theaber in seven books
Выходные данные : Б.м., [2017]
Колич.характеристики :79 с
Цена : 500 грн.
УДК : 792.54:782.6.045:81'22](084)=161.2=111
Предметные рубрики: Символи
Опера
Видавничі мистецтва
Мова
Пізнавальні процеси
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