Главная Упрощенный режим Описание Шлюз Z39.50
Авторизация
Фамилия
Пароль
 

Базы данных


Каталог документів іноземними мовами - результаты поиска

Вид поиска

Лічільник відвідувань
Область поиска
в найденном
 Найдено в других БД:Електронний каталог книг (963)БД бібліографічних описів статей з періодичних видань (1580)БД розпоряджень голови Миколаївської державної адміністрації (35)БД "Краєзнавство" (99)БД статей з періодики до 1917 року (86)БД "Грамплатівки" (115)Корпоративний каталог районних ЦБ області (103)
Формат представления найденных документов:
полный информационныйкраткий
Отсортировать найденные документы по:
авторузаглавиюгоду изданиятипу документа
Поисковый запрос: <.>DP=201803$<.>
Общее количество найденных документов : 74
Показаны документы с 1 по 10
 1-10    11-20   21-30   31-40   41-50   51-60      
1.

Вид документа : Многотомное издание
Шифр издания : 4И(нем)/М 64
Автор(ы) : Миронов Н. И.
Заглавие : Военный юмор/ Н. И. Миронов. Вып. 10
Выходные данные : Москва: Воениздат, 1967
Колич.характеристики :192 с.: ил.
Серия:
Цена : (В пер.) : 31 к.
Предметные рубрики: Німецька мова
Книга для читання
Найти похожие

2.

Вид документа : Многотомное издание
Шифр издания : 4И(нем)/К 53
Заглавие : Книга для чтения на немецком языке. Вып. 17: Lachbombe
Выходные данные : Москва: Воениздат, 1974
Колич.характеристики :223 c.
Серия: Военный юмор
Цена : (В пер.) : 29 к.
Предметные рубрики: Німецька мова
Книга для читання
Найти похожие

3.

Вид документа : Многотомное издание
Шифр издания : 4И(нем)/К 53
Заглавие : Книга для чтения. Вып. 18: Выстрелы на одере
Выходные данные : Москва: Воениздат, 1975
Колич.характеристики :237 с.
Серия:
Цена : (В пер.) : 36 к.
Предметные рубрики: Книга для читання
Німецька мова
Найти похожие

4.

Вид документа : Однотомное издание
Шифр издания : КД-5379, 5380
782/M 78
Автор(ы) : Mozart, Wolfgang Amadeus
Заглавие : Zaide
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Видовищні мистецтва
Музичний театр
Опера
Аннотация: Zaide (originally, Das Serail) is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 Mozart began work on a new opera (now known as Zaide although Mozart did not give it such a title). It contains spoken dialogue, which also classifies it as a Singspiel (literally, "singing play"). Only the arias and ensembles from the first two acts were composed. Missing are an overture and third act. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes. This story portrays Zaide's effort to save her beloved, Gomatz. Mozart was composing for a German libretto by Johann Andreas Schachtner, set in Turkey, which was the scene of his next, completed rescue Singspiel (Die Entführung aus dem Serail). He soon abandoned Zaide, to work on Idomeneo, and never returned to the project. The work was lost until after his death, when Constanze Mozart, his wife, found it in his scattered manuscripts in 1799. The fragments would not be published until 1838, and its first performance was held in Frankfurt on January 27, 1866, the 110th anniversary of Mozart's birth. Zaide has since been said to be the foundations of a masterpiece, and received critical acclaim. The tender soprano air, "Ruhe sanft, mein holdes Leben" is the only number that might be called moderately familiar. The title Zaide was supplied by the Mozart researcher Johann Anton André, who first published the score, including his own completion of it, in the 1830s. André's father Johann André had set the same text to music, before Mozart commenced his singspiel. Modern companion pieces to Zaide have been written by both Luciano Berio and Chaya Czernowin. In modern performances, Mozart's Symphony No. 32, K. 318, which was composed around the same time as Zaide and later used as an overture to Francesco Bianchi's La villanella rapita (1784), is often given as an overture to Zaide. Completions of the opera may use a pastiche of Mozart's concert arias or, more popularly, music from Thamos, King of Egypt, also from the same period of Mozart's career.
Найти похожие

5.

Вид документа : Однотомное издание
Шифр издания : 4И(нем)/К 36
Автор(ы) : Кёппен, Вольфганга
Заглавие : Смерть в Риме : роман : кн. для чтения на нем. яз.
Выходные данные : Б.м., 1978
Колич.характеристики :200 с.
Цена : 1 р 10 к.
Предметные рубрики: Книга для читання
Німецька література
Найти похожие

6.

Вид документа : Однотомное издание
Шифр издания : 4И(нем)/К 48
Автор(ы) : Клейна Е.
Заглавие : Золотий транспорт : адапт. : кн. для читання нім. мовою для ст. кл.
Параллельн. заглавия :Coldtransport
Выходные данные : Б.м., 1971
Колич.характеристики :164 с.
Цена : 29 к.
Предметные рубрики: Німецька література
Книга для читання
Середня освіта
Найти похожие

7.

Вид документа : Однотомное издание
Шифр издания : КД-5377, 5378
782/R 80
Автор(ы) : Rosasini, Gioacchino
Заглавие : L'italiana in Algeri
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact disc digital audio
Цена : 20 грн.
УДК : 782.6(086.76)
Предметные рубрики: Опера
Музичний театр
Аннотация: L'Italiana in Algeri (Italian pronunciation: [litaˈljaːna in alˈdʒɛːri]; The Italian Girl in Algiers) is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.Rossini wrote L'Italiana in Algeri when he was 21. Rossini stated that he composed the opera in 18 days, though other sources claim that it took him 27 days. Rossini entrusted the composition of the recitatives as well as the aria "Le femmine d'Italia" to an unknown collaborator.[1] The opera is notable for Rossini's mixing of opera seria style with opera buffa. The overture is widely recorded and performed today, known for its distinct opening of slow, quiet pizzicato basses, leading to a sudden loud burst of sound from the full orchestra. This "surprise" reflects Rossini's early admiration for Joseph Haydn, whose Symphony No. 94 in G major, "The Surprise Symphony", is so named for the same shocking and semi-comic effect.
Найти похожие

8.

Вид документа : Однотомное издание
Шифр издания : КД-5361, 5362
782.1/B 56
Автор(ы) : Bizet, Georges
Заглавие : Carmen
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 782.1(086.76)
Предметные рубрики: Опера
Видовищні мистецтва
Музичний театр
Аннотация: Carmen (French pronunciation: ​[kaʁmɛn]; Spanish: [ˈkarmen]) is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous matador Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial. After the premiere, most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883. Thereafter, it rapidly acquired popularity at home and abroad. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera. The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer's death, the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet's intentions. The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations.
Найти похожие

9.

Вид документа : Однотомное издание
Шифр издания : КД-5357, 5358
781/P 97
Автор(ы) : Puccini, Giacomo
Заглавие : La Fanciulla Del West
Параллельн. заглавия :Девушка с Запада
Выходные данные : Б.м., 2001
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 781.1(086.76)
Предметные рубрики: Опера
Музичний театр
Аннотация: La fanciulla del West (The Girl of the West) is an opera in three acts by Giacomo Puccini to an Italian libretto by Guelfo Civinini (it) and Carlo Zangarini (it), based on the play The Girl of the Golden West by the American author David Belasco. Fanciulla followed Madama Butterfly, which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that are characteristic of other Puccini works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. Fanciulla displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play,and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910.Nevertheless, while Puccini deemed it one of his greatest works, La fanciulla del West has become a less popular opera within the composer's repertoire, drawing a mixed public reception overall.[1][4] Despite the plot being a source of significant criticism, the majority of academics and musicians agree in calling it a magnum opus, particularly lauding its craftmanship.The conductor of the work's premiere, Arturo Toscanini, called the opera a "great symphonic poem".
Найти похожие

10.

Вид документа : Однотомное издание
Шифр издания : КД-5359, 5360
781.6/R 80
Автор(ы) : Rossini , Gioacchino
Заглавие : La Cenerentola
Выходные данные : Б.м., [2001]
Колич.характеристики :2 compact discs digital audio
Серия: Elite Classics. Opera Collection
Цена : 20 грн.
УДК : 781.6(086.76)
Предметные рубрики: Комічна опера
Музичний театр
Аннотация: La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed La Cenerentola when he was 25 years old, following the success of The Barber of Seville the year before. La Cenerentola, which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from La gazzetta and part of an aria from The Barber of Seville and by enlisting a collaborator, Luca Agolini, who wrote the secco recitatives and three numbers (Alidoro's "Vasto teatro è il mondo", Clorinda's "Sventurata!" and the chorus "Ah, della bella incognita"). The facsimile edition of the autograph has a different aria for Alidoro, "Fa' silenzio, odo un rumore"; this seems to have been added by an anonymous hand for an 1818 production. For an 1820 revival in Rome, Rossini wrote a bravura replacement, "La, del ciel nell'arcano profondo".
Найти похожие

 1-10    11-20   21-30   31-40   41-50   51-60      
 
© Международная Ассоциация пользователей и разработчиков электронных библиотек и новых информационных технологий
(Ассоциация ЭБНИТ)